The Ruin Bars of Budapest
by Renata Eszter Horvath
How socio-demographic characteristics and decreasing
state ownership led to the development of a new genre of hospitality in
Budapest.
Hungary’s capital, Budapest is starting to become
known across to world for its famous hot springs and bars. This article focuses
on bars, mainly hospitality venues operating in dilapidated, urban buildings in
Budapest. These venues, referred to in Hungarian as “romkert” (ruin garden) and
“romkocsma” (ruin pub), are established in abandoned residential or office
buildings. Some of these are opened all-year while others operate from the
early spring until late autumn. Several have reopened in the same location in
subsequent years, although many have moved from one place to another and the
itinerant hospitality topographies of Budapest’s districts have thus been
reconfigured annually.
The majority of the “rom” venues are operated in the
VII district of Budapest, with a few in the surround VI, VIII an IX districts.
This inner area of Budapest (including the V district) is characterised by
low-quality housing, the value of which is compensated for by its good location
in the heart of Budapest. In the VII district, 89% of the housing stock was
constructed before 1919. Only 10% of buildings were built between the two world
wars and only 1% originates from the socialist period. Following the Second
World War, damaged buildings were pulled down and the resulting lots largely left
vacant or used for car parking. The general deterioration of buildings was
coupled with a declining population until 2001. More recently the population in
the VI, VII and VIII districts has grown by over 20%.
The socio-demographic characteristics of VII district
have four general features: an ageing population, with a high rate of elderly
widows; lowering social status compared with the early 20th century;
decreasing Jewish and increasing Roma population; and no marked segregation of
different residents. The recent growth of the population in the VII district
has seen a shift in the socio-demographic profile with the arrival of young
people, artist, students renting or even buying flats for a relatively low
price. There is growing number of higher educated people, childless young
couples and a reduction in the proportion of unemployed, lower-status
residents. These features played an important role in the development of this
new genre of hospitality.
There has been the absence of a singular local
governmental strategy for the regeneration (development) of this area. It was
mainly led by the privet sector, often on market rather than public-private
partnership terms, with a strong emphasis on speculation. Local government has
limited opportunities for intervention because of the high degree of
privatisation and the resulting ownership structure. There’s also a strong
presence of civil organisations, which have opposed specific initiatives. This
context means that the unfolding regeneration in this area is different from
state- or public-private partnership dominated districts, where transformation
has been more radical and comprehensive. The fragmentation of ownership and governance
has led to numerous conflicts in the regeneration process in which “rom” venues
have developed.
The increasing rent- and value-gap in the VII and
neighbouring districts has led to tensions between residential and commercial
use. Investors, developers and the municipality may be keen to engage in more
radical transformation, but many of the buildings in the VII district are
distinctive and have been given protected heritage status. These tensions
between urban decay, valued and protected heritage and private investment are
important in establishing the context for the development of “rom” venues.
In summary the underpinning forces of regeneration are
the following: low-quality housing, with a growing rent and value gap, decaying
urban fabric with an ageing, lower-status population, shrinking in size and
decreasing state ownership and influence. The transformation of Budapest has
created countless “loose spaces” and “dead zones” and in these in-between
spaces, the planning and regeneration process is stalled, although the
buildings do not remain empty. These constructions have been turned into galleries,
concert halls and clubs, the ruined nature of the buildings into an aesthetic
feature and colonised these spaces. The occupation of loose spaces and dead
zones may be considered as the outcome of opportunistic entrepreneurialism,
which thrives by exploiting conflicts surrounding planning and regeneration. Allowing
the hospitality venues to operate thus enables private owners to capitalise on
their investment in situations where other, more comprehensive transformation
of spaces would encounter legal and political obstruction.
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